Johannes Maria Staud's "Berenice. Lied vom Verschwinden" is a captivating exploration of contemporary classical music, released on December 1, 2003, via the esteemed label Kairos. This album showcases the composer's unique voice and his ability to blend intricate compositions with a deep sense of musical storytelling. The six tracks span a diverse range of instrumentation, from solo performances to large ensembles, offering a rich and varied listening experience.
The album opens with the three-part suite "A map is not the territory (2001) for large Ensemble," a work that demonstrates Staud's mastery of orchestration and his penchant for creating immersive soundscapes. "Bewegungen (1996) for Piano" and "Polygon. Musik für Klavier und Orchester (2002)" highlight the composer's skill in writing for piano, both solo and in concert with an orchestra. "Black Moon (1998) for bass clarinet Solo" is a striking solo piece that showcases the expressive capabilities of the bass clarinet.
The album concludes with the title track, "Berenice. Lied vom Verschwinden (2003) for soprano, small ensemble and Tape," a haunting and evocative work that combines vocal and instrumental elements with electronic tape to create a unique and memorable listening experience. With a total duration of one hour and one minute, this album is a testament to Staud's artistic vision and his ability to create compelling and engaging music.