Jacques Ibert's "Ibert: Symphonie concertante pour hautbois et orchestre à cordes & Trio pour violon, violoncelle et harpe" is a captivating collection of chamber music that showcases the composer's mastery of form and expression. Released in 1955 under the BNF Collection label, this album presents a unique blend of orchestral and chamber works that highlight Ibert's distinctive style.
The album opens with the "Symphonie concertante for Oboe and String Orchestra," a three-movement work that demonstrates Ibert's ability to create a dialogue between the solo oboe and the string orchestra. The first movement, "Allegro con moto," is a lively and energetic piece that sets the tone for the rest of the work. The second movement, "Adagio ma non troppo," offers a more introspective and lyrical contrast, while the final movement, "Allegro brillante," brings the work to a thrilling conclusion.
The second half of the album features the "Trio for Violin, Cello and Harp," another three-movement work that showcases Ibert's skill in writing for a smaller ensemble. The first movement, "Allegro tranquillo," is a serene and contemplative piece that highlights the delicate interplay between the three instruments. The second movement, "Andante sostenuto," is a more expressive and emotional work, while the final movement, "Scherzando con moto," brings the trio to a playful and energetic close.
Throughout the album, Ibert's music is characterized by its melodic inventiveness, rich harmonies, and skillful use of orchestration. The performances by Pierre Pierlot, Fernand Oubradous, and the Association des Concerts de chambre de Paris are outstanding, bringing Ibert's music to life with sensitivity and virtuosity. Whether you're a fan of chamber music or simply looking to discover new and exciting compositions, this album is sure to delight and inspire.
