I am Harry Partch
0:24By the Rivers of BabylonHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
3:25Texts and Music: A Wagnerian Wrestling Match
1:2217 Lyrics of Li Po: A DreamHarry Partch, William Wendlant
4:3417 Lyrics of Li Po: An Encounter in the FieldHarry Partch, William Wendlant
0:4717 Lyrics of Li Po: On Hearing the FluteHarry Partch, William Wendlant
1:0017 Lyrics of Li Po: The IntruderHarry Partch, William Wendlant
1:1017 Lyrics of Li Po: I am a Peach TreeHarry Partch, William Wendlant
1:2617 Lyrics of Li Po: With a Man of LeisureHarry Partch, William Wendlant
0:4717 Lyrics of Li Po: A Midnight FarewellHarry Partch, William Wendlant
1:1917 Lyrics of Li Po: Before the Cask of WineHarry Partch, William Wendlant
2:1017 Lyrics of Li Po: On the Ship of SpicewoodHarry Partch, William Wendlant
2:3117 Lyrics of Li Po: By the Great WallHarry Partch, William Wendlant
1:56The Use of English in Serious Music
0:57Barstow: 8 Hitchhikers' InscriptionsHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom
8:26San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the TwentiesHarry Partch, Lee Hoiby, Christine Charnstrom
2:29Life Is too precious to spend It with important people
1:29US Highball: A Musical Account of a Transcontinental Hobo TripHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
26:46My Heart Keeps Beating TimeHarry Partch, Philip Blackburn, Liz Schmidt
1:36San Francisco IIHarry Partch, Mark Enslin, Keith Johnson, Arun Chandra, Rick Burkhardt, Lesley Olson, Sarah Wiseman
2:50I'm going to start right off by giving you some sounds…
0:302 Settings from Finnegans Wake: No. 1, IsobelHarry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
2:532 Settings from Finnegans Wake: No. 2, Annah the AllmazifulHarry Partch, Lola Harding, Dorothy Holden, Hilmar Luckhardt
2:20Dark BrotherHarry Partch, William Wendlandt, Lee Hoiby, Christine Charnstrom, Fralia Hancock
7:37A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
2:14A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
6:05A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
1:05A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
1:35A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
1:07A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
0:53A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
1:24A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
1:52A Quarter-Saw Section of Motivations and Intonations: Close Degrees
1:08A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
1:23A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
2:24A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
2:27A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
3:56A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
2:39A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
4:04A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
1:45A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Bewitched
6:12A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
10:42A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
6:52Bitter Music: June 11, 1935 — Santa Rosa, CaliforniaHarry Partch, Warren Burt, Sheila Guymer
0:27Bitter Music: June 12 — Federal Shelter, StocktonHarry Partch, Warren Burt, Sheila Guymer
3:36Bitter Music: June 13Harry Partch, Warren Burt, Sheila Guymer
1:28Bitter Music: June 14Harry Partch, Warren Burt, Sheila Guymer
2:22Bitter Music: June 16 — Harrington Ranch, San Joaquin DeltaHarry Partch, Warren Burt, Sheila Guymer
3:27Bitter Music: June 17Harry Partch, Warren Burt, Sheila Guymer
0:26Bitter Music: July 4Harry Partch, Warren Burt, Sheila Guymer
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